For Ovy On The Drums’ world tour, I served as director and creator of the full visual language, designing a surreal performance universe built around dancing, evolving virtual koalas—avatars that embody Ovy’s identity and brand. These characters interact with inflatable elements drawn from Karol G’s Mañana Será Bonito album world, grounding the visuals in a narrative of musical partnership between both artists. Across the show, the figures shift and mutate from song to song, gradually becoming koala-like dancers with signature ears, Ovy-inspired hair silhouettes, and reflective costumes that visually connect him to Karol G’s aesthetic.

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The tour unfolds across a series of dreamlike, simulated environments—lush jungles patterned with animal textures, floating landscapes, and hyper-saturated atmospheres—where real-world motifs from the album, such as cars and flowers, are reinterpreted through fluid simulations and inflatable forms. Each scene distorts reality into a luminous world of color, motion, and beauty, reflecting the album’s emotional arc: transforming heartbreak into optimism, fantasy, and celebration through spectacle-scale digital art.